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But when your fetish is any interchangeable ‘Black guy’, you are taking the human component out of it, and just treating them as objects based on their skin colour.” “Fetishes like fist play or sling play have nothing to do with race or skin colour. “When you fetishize a person, you are dehumanizing that person into a thing.” Race Cooper said that Black men are still fetishised in degrading ways within the industry, and the impact on the actor is severe. But not in porn, where it was commonplace.” “I came to the industry with mainstream television and film experience, where such questions would immediately be banned and recognised as racist. The question of, ‘Is there anyone that you wouldn’t like to work with?’ was asked of all models and tracked with the encouragement from producers and directors to be ‘honest’ and ‘specific’.” “There was systemic racism at the company. And hearing your stories often helps me make sense of my own.Speaking with PinkNews, Cooper said, “In 2010 I became the only full-time Black person who worked as an employee, and was the only Black exclusive contract on their roster.”Ĭopper added that performers were often encouraged to write down racial categories they would be uncomfortable shooting a scene with. One thing I’ve definitely learned is that community doesn’t stop at the stage door. 70% of them are telling war stories during tech, or pulling pranks backstage, or post-show hangs with cast mates over chicken finger baskets at diners. When I think to the moments that have brought me the most joy in this business, I’d say only about 30% of them have to do with standing center stage and singing in a spotlight. But if I had to guess, I’d say it probably had something to do with the community. So what was it about that time in my life that made me feel so invincible? I’d be lying if I said I knew, and trust me, I’ve spent years trying to get back to that place. Where I didn’t have a Plan B, because life without theater just wasn’t an option.
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Where every free second I had, I would spend it either in rehearsal or searching out a performance opportunity for the future, where every dollar I made, I would use it to buy cast recordings or save up for tickets. This has been hard to grapple with because there was a time in my life where theater was EVERYTHING. And as a career, it has given me incredible opportunities, but it has also broken my heart many times over. Theater, especially commercial theater, has gotten inaccessible and unaffordable to audiences and under-represents large swaths of our community. In recent years, theater has been something that has often bummed me out. The fact is, this question was really hard to answer. Every week we have a creative prompt and this week was to answer the question, “Why do you love theater?” As someone who’s spent much of my career trying to make sense of this art form and figuring out how we can use social media to extend it to a wider audience, I thought this would be a good place to execute my prompt. Question of the Day⁉️ Why do you love theater?? For the past few weeks I’ve been a part of a Zoom group of theater makers - people from various backgrounds interested in innovation and re-framing how theatre is made, who is making it, and who gets to be a part of it once all this is over.